Casino 1995 Robert De Niro Joe Pesci Sharon Stone

Casino

Title Casino Year 1995 Director Martin Scorsese. All actors – Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Don Rickles, Alan King. Raking in lavish riches for his Mafia overlords, Las Vegas casino boss Ace Rothstein's fortunes soar even as he suffers personal betrayals. Starring: Robert De Niro, Sharon Stone, Joe Pesci Watch all you want. For her peformance in 'Casino,' Sharon Stone won a Golden Globe for Best Actress and was nominated for an Academy Award. The movie Casino is about Sam 'Ace' Rothstein played by Robert De Niro. His character is based on Frank 'Lefty' Rosenthal who was a gambler and bookie. This movie has Joe Pesci as Nicky Santoro who is based on Chicago enforcer Anthony 'The Ant' Spilotro. This is the movie that was directed by Martin Scorsese after Goodfellas. The clip nickey's taking care of ginger Part 4 from Casino (1995) with Robert De Niro, Sharon Stone I just hope it's not someone who I think it might be. I just hope it's not that.

Starring

• Robert De Niro
• Sharon Stone
• Joe Pesci
• Don Rickles
• Kevin Pollak
• James Woods

Casino is a 1995 American epic crime film directed by Martin Scorsese and starring Robert De Niro, Sharon Stone, and Joe Pesci. It is based on the nonfiction book Casino: Love and Honor in Las Vegas by Nicholas Pileggi, who also co-wrote the screenplay for the film with Scorsese. The two had previously collaborated on Goodfellas.

The film marks the eighth collaboration between director Scorsese and De Niro, following Mean Streets (1973); Taxi Driver (1976); New York, New York (1977); Raging Bull (1980); The King of Comedy (1982); Goodfellas (1990); and Cape Fear (1991).

In Casino, De Niro stars as Sam 'Ace' Rothstein, a Jewish American gambling handicapper who is called by the Chicago Outfit to oversee the day-to-day operations at the Tangiers Casino in Las Vegas. His character is based on Frank Rosenthal, who ran the Stardust, Fremont, and Hacienda casinos in Las Vegas for the Chicago Outfit from the 1970s until the early 1980s. Pesci plays Nicholas 'Nicky' Santoro, based on real-life Mob enforcer Anthony J. Spilotro, a 'made man' who could give Ace the protection he needed. Nicky is sent to Vegas to make sure that money from the Tangiers is skimmed off the top and the mobsters in Vegas are kept in line. Sharon Stone plays Ginger McKenna, Ace's scheming, self-absorbed wife, based on Geri McGee.

Plot

In 1973, sports handicapper and Mafia associate Sam 'Ace' Rothstein is sent to Las Vegas to run the Teamsters Union-funded Tangiers Casino on behalf of the Chicago Outfit, which secretly controls the Teamsters, while Philip Green serves as the Mob's front man. Taking advantage of gaming laws that allow him to work in a casino while his gaming license is pending, Sam doubles the casino's profits, which are skimmed by the Mafia before they are reported to income tax agencies. Impressed with his work, Mafia boss Remo Gaggi sends Sam's childhood friend and mob enforcer Nicholas 'Nicky' Santoro and his associate Frank 'Frankie' Marino to protect Sam and the whole operation. Nicky's volatile temper soon gets him banned from every casino in Las Vegas, so he gathers his own crew and engages in independent shakedowns and burglaries, instead.

Sam meets and falls in love with a hustler and former prostitute, Ginger McKenna. They conceive a daughter and marry, but their marriage is proven difficult by Ginger's covetousness and love for her manipulative former boyfriend, con artist-turned pimp Lester Diamond. Lester is beaten severely by Sam and Nicky after they catch him conning Ginger out of some money. Ginger subsequently turns to alcohol. Meanwhile, Sam makes an enemy in county commissioner Pat Webb for firing his brother-in-law Don Ward for incompetence. When Sam refuses to reinstate him, Webb pulls Sam's license from the backlog, forcing him to face a hearing for his gaming license while secretly arranging for the board to deny Sam. Sam blames the incident on Nicky's recklessness and the two argue furiously in the desert after Sam attempts to tell Nicky to leave Las Vegas.

Meanwhile, the casino counters begin stealing some money for themselves, prompting the Midwest Mafia bosses to put Artie Piscano of the Kansas City mafia in charge of overseeing the transactions. Piscano is unable to find the thieves, but keeps tabs on everything he knows about Las Vegas in a private notebook, ranting about it in his grocery store. The FBI, investigating a separate crime, have wired Piscano's store, and Piscano's detailed complaints, complete with names, spurs the FBI to begin investigating the casino. Meanwhile, Sam finally seeks divorce from Ginger, tired of her alcoholism. She then kidnaps their daughter, Amy, taking her to Los Angeles, and plans to flee to Europe with Lester. Sam convinces her to come back with Amy, and then scolds her for stealing his money and kidnapping their daughter. After he overhears Ginger talking on the phone about killing him, he kicks her out of the house, but soon relents. Ginger then approaches Nicky for help in getting her valuables from their shared vault in the bank, and the two start an affair. Sam discovers this after finding Amy tied to her bed by Ginger, who is with Nicky at his restaurant. Sam disowns Ginger, as does Nicky. A furious and drunk Ginger crashes her car into Sam's driveway, making a scene, and retrieves the key to their deposit box after distracting the attending police. Even though she succeeds in taking her share of the money from the bank, she is arrested by the FBI as a material witness.

The FBI moves in and closes the casino. Green decides to cooperate with the authorities. Piscano dies of a heart attack upon observing federal agents discover his notebook. Nicky flees Las Vegas before he can be caught. The FBI approaches Sam for help, but he turns them down. The bosses are arrested and put on trial, and decide to eliminate anyone involved in the scheme to prevent them from testifying. Among those killed are three casino executives, Teamsters head Andy Stone, and money courier John Nance. Ginger travels to Los Angeles and ultimately dies of a drug overdose in a motel. Sam himself is almost killed by a car bomb, and suspects Nicky was behind it. Before Sam can take revenge, Nicky and his brother Dominick are ambushed by Frankie and their own crew, beaten and buried alive in a cornfield, the bosses having had enough of Nicky's behavior and suspecting his role in Sam's car bombing.

With the Mob now out of power, the old casinos are purchased by big corporations and demolished. The corporations build new and gaudier attractions, which Sam laments are not the same as when the Mafia was in control. Sam subsequently retires to San Diego and continues to live as a sports handicapper for the Mob, in his own words, ending up 'right back where I started'.

Cast

• Robert De Niro as Sam 'Ace' Rothstein
• Joe Pesci as Nicholas 'Nicky' Santoro
• Sharon Stone as Ginger McKenna
• James Woods as Lester Diamond
• Frank Vincent as Frankie Marino
• Don Rickles as Billy Sherbert
• L. Q. Jones as Clark County Commissioner Pat Webb
• Kevin Pollak as Philip Green
• Alan King as Andy Stone
• Pasquale Cajano as Remo Gaggi
• John Bloom as Donald 'Don' Ward
• Dick Smothers as Nevada State Senator Harrison Roberts
• Philip Suriano as Dominick Santoro
• Bill Allison as John Nance
• Vinny Vella as Artie Piscano

Casino 1995 Robert De Niro Joe Pesci Sharon Stone Dailymotion

1995, R, 178 min. Directed by Martin Scorsese. Starring Robert De Niro, Sharon Stone, Joe Pesci, James Woods, Don Rickles, Alan King, Kevin Pollak, L.Q. Jones.

Casino 1995 Robert De Niro Joe Pesci Sharon Stone Biography

REVIEWED By Marjorie Baumgarten, Wed., Nov. 22, 1995

Casino 1995 Robert De Niro Joe Pesci Sharon Stones

That Martin Scorsese is one of the modern masters of cinema is a fact that is reiterated through each of his movies. He always struggles to find new strategies for seeing beneath the surface of things and for new approaches to the telling of stories. Casino, however, cannot be viewed as one of Scorsese’s masterpieces. Yet, while certainly less than successful, I’m reluctant to call it a failure. Because, then, I’d have to revoke my love relationship with the film’s spectacular opening sequence (let’s just say it begins with a magnificent bang). The term “failure” would also negate the novelty of certain shots and scenes, like the overhead shot of Las Vegas that presents the city as a mecca of light in an otherwise barren sea of darkness. Leave it to Scorsese to expose the Vegas gestalt in a new and original manner. Eye-opening material like this is peppered throughout the movie. Then, of course, it is always a pleasure to watch De Niro at work, especially when at work in a juicy role like that of Sam “Ace” Goldstein, the Mob’s consummate bookie chosen by the bosses to front their “legit” Vegas casino. Believing in De Niro as a Jew is a bit of a stretch, however he’s good enough that you don’t dwell on how you can take the goy out of Little Italy but …. Better than watching De Niro work alone is the pleasure of watching De Niro working a scene with Joe Pesci, who is cast as Nicky Santoro, the New York muscle brought in to smooth over the casino’s inevitable rough spots. And to answer the question on everyone’s lips – Can Sharon Stone cut it? – well, yes and no. She fares better than any of her previous work might have led you to expect, but no one will ever mistake her for an acting giant. The problems with her characterization can largely be laid at the feet of Scorsese, a filmmaker whose body of work has never evidenced much sensitivity toward his female characters. For every Alice Doesn’t Live Here Anymore and Boxcar Bertha there are dozens of Johnny Boys and Travis Bickles roaming the Mean Streets, dividing women up into the virtuous and the fallen. Stone’s top-of-the-heap casino hustler could be a fascinating character, but in Casino she is simply there to be the object of Scorsese’s affections and subsequent scorn. The story is about what it is like for Ace living with her and living without her; not the other way around. Scorsese depicts the boys’ clubs, whether the movie is The Last Temptation of Christ, The Last Waltz, The Color of Money, Cape Fear or GoodFellas. And speaking of GoodFellas, that movie may just be the source of many of Casino’s shortfalls. Casino reminds you in too many ways of the brilliance of GoodFellas, and in a way that dooms Casino to remain in its shadow. It more than just the resonant re-pairings of De Niro and Pesci and novelist/co-scriptwriter Nicholas Pileggi and Scorsese. Structurally, it tries to ape the climactic build-up of GoodFellas, but never quite blasts off as the climax of GoodFellas so viscerally does. Casino never really seems to have a point, and in a movie just a couple minutes shy of three hours, that really becomes a palpable problem. As a whole, the movie does not crap out at the table, but neither does it come up with a fistful of dollars.